Written By Sibtain Naqvi



Muhammad Arif : Chairman Centre of Advisory Services for Islamic Banking and Finance (CAIF), Former Head of FSCD SBP, Former Head of Research ArifHabib Investments and Member IFSB Task Force for development of Islamic Money Market, Former Member of Access to Justice Fund Supreme Court of Pakistan

Poets and writers today are happy to remain part of ruling fraternity.

Muhammed Ibrahim Zauq and Mirza Asadullah Baig Khan, better known as Ghalib, were bitter rivals against british rule. From the days of Ghalib, mushairas (poetry recitals) were not just a platform for dissent against the state, but also opportunities to protest against other members of the poetic community to highlight ideological differences.

Among the more recent examples of such poetic friction are the Faaiz, Jalib and prominently Josh Malih Abadi. At a time of great censorship because of Gen Zia’s dictatorial regime, it was a memorial for Josh Malihabadi, whose death on February 22, 1982 had been ignored by the state.

Some of the greatest Urdu poets of the time as Josh Malihabadi and Hafeez Jalandhari remined one a fierce critic of dictators and the other a close supporter.

Josh Malihabadi had immigrated to Pakistan several years after Partition and was never at ease in his new country. He had been a part of India’s intellectual elite, and a darling of the Congress leadership.

Despite his position in India, Josh gave in to the entreaties of A.T. Naqvi, commissioner of Karachi, who had told him, “Josh Sahib, you can’t cross a river with your feet anchored in two boats.” Against the advice of Indian PM Jawaharlal Nehru, who gave him the option to move back and forth between the two countries, Josh left India thinking that Urdu would be ignored there because of the “narrow-minded nationalism of Hindus.” In 1955, he crossed the border and, soon after, became a fierce critic of the military dictatorship of Ayub Khan. For this he faced endless problems, becoming the target of right-wingers while his property was confiscated by the regime. His poetry too did not get the requisite recognition from the state.

Josh Malihabadi and Hafeez Jalandhari were at polar ends of an ideological divide.

Among pro-establishment writers and poets, chief among them was Hafeez Jalandhari, the poet laureate, who had also penned Pakistan’s national anthem. Their ideological divide was stark. Josh hated the British and sported the Führer’s moustache to remind them of their bête noire. In his poem East India Company Ke Farzandon Se Khitab [Address to the Heirs of the East India Company], Josh had lambasted British hypocrisy and recounted their crimes, from the battle of Plassey in 1757 to hanging the revolutionary Bhagat Singh in 1931. Invoking the powerful imagery of Karbala, he had addressed their apologists:

(Mujrimon ke waastay zeba nahin ye shor-o-shain

Kal Yazeed-o-Shimr thhey aur aaj bantay ho Hussain)

[This hue and cry does not suit the defence of criminals/ You who were Yazeed and Shimr yesterday pretend today to be Hussain!]

Meanwhile, Hafeez Jalandhari was using his pen to support the British war effort. During World War II, as the head of the Bureau of Public Information and Song Publicity Organization at All India Radio, Jalandhari played an important role for British propaganda. According to several accounts, he wrote poems such as Boot to recruit Indian cannon fodder that would eventually die in North Africa and East Asia for their colonial masters:

(Idhar pehno ho tooti jooti, udhar pehno ge boot

Bharti ho jao!)

[Here you wear a broken slipper, there you will get a fancy boot/ Go join the army!]

Jalandhari was able to get on the right side of the political players even after the Partition of the Subcontinent. While Tagore was the poet for India’s and later Bangladesh’s national anthems, Pakistan opted for a poet who is not part of the Urdu poetry pantheon but was still chosen out of 723 entrants. Rewards came quick and fast, he became the Director General of Morals in the Pakistan Armed Forces and an adviser to General Ayub Khan, an appointment which inspired Jalib to write his poem Musheer [Adviser].

As Jalib narrated, he happened to meet Jalandhari at Anarkali market in Lahore, who told him that he was exceedingly busy, as he had been appointed as an adviser. In response, Jalib sarcastically asked him, “Adviser to God?”. Protests were raging against Ayub Khan at the time, and Jalib caustically advised Jalandhari to lock up every black flag-raising protester and the Dastoor [Constitution]-reciting poet himself, who was daring to go against his president. In Musheer he proceeded to put into verse what he had said to Jalandhari:

(Das crore yeh gadhay

Kya banein ge hukmaraan)

[These hundred million fools/ cannot ever be rulers]

Given all this, it is hard to find two people more ideologically different than Josh and Jalandhari. This divide became personal when Jalandhari presented his work Shahnama-i-Islam to Josh and he curtly dismissed it by asking what Islam had to do with shahs [kings]? on Josh’s demise, the Urdu daily Nawa-i-Waqt, published an article featuring a statement by Jalandhari that included this verse by Ghalib:

(Huay mar ke hum jo ruswa huay kyon na gharq-i-dariya

Na kabhi janaza uthta na kahien mazar hota)

[Disgraceful death like this; why did I not die by drowning in a river/ there would have been no funeral ever, and nowhere a tomb]

The article was headlined with his statement, “Marnay seh pehle usay mar jana chaahiye tha. Islam, Huzoor-i-Pak, aur Pakistan ke dushman ka muamla ab Allah ke haath mein hai” [Josh should have died before his death. The fate of the enemy of Islam, the Holy Prophet (PBUH) and Pakistan is now in the hands of Allah.] This underhanded blow was condemned by the poet community. Faiz dismissed it saying, “Hadd ho gayi!” [It’s crossed all limits!] and Naseem Amrohvi recited at Josh’s chehlum:

(Bazon ne woh bayaan diye hain ghalat ghaleez

Sari fazaayen cheekh uthi hain al Amaan

al Hafeez!)

[Some have given statements so false and filthy/ even the winds are screaming: Allah safeguard us]

Bedi on death of Josh wrote and read-

(Afsoos taanazan hain ghulamaan-i-khanazaad

Jin ke qaseeday ab bhi hain afrangiyon ko yaad

Zagh-o-zahan bhi boleeyan ab bolnay lagay

Shaheen jo urr gaya to yeh mounh kholnay lagay)

[Unfortunate that the sons of slaves are taunting/ Whose paeans for the British are still remembered/Magpies and kites have started opening their beaks/ Now that the falcon has departed, they have become emboldened]

The audience immediately understood the context and went hoarse in its praise, begging Bedi to repeat the verses. He had settled the score and reminded Jalandhari of his services to the imperial masters, previous and current

Jalandhari did not survive Josh very long; he passed away on December 21, 1982. A man close to political circles in death as in life, his body rests in a tomb built by the government near the Minar-i-Pakistan in Lahore. Josh’s death was ignored by the state. Seeing this, Sadequain expressed a desire to build his grave, but the poet — whose pen targeted everyone from colonial masters to colonial servants and whose defiant words echo even today — was laid to rest in a simple white marble grave in Islamabad. The epitaph of the “Shair-i-Inqalab” [Poet of Revolution] who never bowed or bent fittingly reads:

(Aainda zamanay ki amanat hoshiyar

Uth lehde moujud ki khoraak na ban)

[You are the hope for the coming times, beware/Rise and do not become food for the worms!]


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